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                                          | This 
                                            series, created from blown-glass pictures, 
                                            in a last instance, the nearness between 
                                            the embryological symbolism and the 
                                            light germ inside the spheres. ... |  |   
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                                                | Spheres 
                                                  like the female principle, the 
                                                  receptacle of an autonomous 
                                                  life, even if complementary. |   
                                                | As 
                                                  important as the object in itself 
                                                  is the shadow that it casts 
                                                  and which, in the play of light-dark 
                                                  stemming from it, provides a 
                                                  manner of assume its own individuality. |   
                                                | . |   
                                                | Shadows 
                                                  that are not repressed inside 
                                                  the unconscious, in the interior 
                                                  of the spheres but migrate to 
                                                  the light of conscience of the 
                                                  opposite and because that, rich 
                                                  in possibilities. Spheres in which only interior 
                                                  uniqueness operates the dialectic 
                                                  of the imprisoned being and 
                                                  that of the free being.
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                                                | . |   
                                                | Adriana 
                                                  Banfi 
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